Creators Column

This Framework Helps Brands Earn Global C.L.O.U.T.

Discover how Gabrielle Judge transformed a simple TikTok post into a global movement using the C.L.O.U.T. method — and how you can build influence and engagement the same way.

Download the C.L.O.U.T. Breakdown Worksheet

I’m here to tell you that you can turn a single post into a platform, and you don’t need a PR agency to go viral — or to stay relevant once you do.

I’m Gabrielle Judge, and I coined the phrase “lazy girl jobs.” The idea started as a throwaway TikTok post and became a global media headline. I didn’t hire a publicist. I didn’t pitch myself to journalists. I didn’t even have a Canva subscription at the time. But within months, I was featured on BBC, NPR, Dr. Phil, and 60 Minutes Australia, all while running my own content, commentary, and strategy behind the scenes.

None of it was accidental. It was thanks to a deliberate approach to attention. Here’s exactly how I built a globally recognized movement with no PR firm, no ad spend, and no Ivy League network. All I had was a front-facing camera, a spicy opinion, and the C.L.O.U.T. method.

The Beginning of ‘Lazy Girl Jobs’

@msantiwork Career advice for women who don’t know what remote job to apply to. You can bay your bills at not feel tired at the end of the day. Women are here to collect those pay checks and move on from the work day. We have so much more fun stuff happeneing in our 5-9 that is way more important than a boss that you hate. #corporatejobs #jobsearchhacks #remoteworking #antihustleculture #9to5 ♬ original sound - msantiwork

Lazy girl jobs

The video that started it all was one I almost didn’t post.

It had been sitting in my drafts for two months. I didn’t really like it. But, I needed to post something that day.  Within 24 hours, it hit around 500,000 views.

At first, it got a few AI-generated write-ups, like the usual Daily Dot-type blogs that scrape viral content. I didn’t think too much of it.

Then, I started getting DMs and texts from friends. They were sending me other people’s videos about Lazy Girl Jobs. People were creating content around the idea, using the phrase, and making it part of their language.

That’s when I realized it was starting to become something bigger. Something people could see themselves in.

@bonniedilber

Theres nothing lazy about wanting a lazy girl job! We all deserve it! #lazygirljobs #workculture #remotework

♬ original sound - Bonnie Dilber

So, I stayed really active in the comments. I answered questions, responded to pushback, and clarified the message again and again. The algorithm kept putting those videos in front of people, and the comment sections stayed active for months. That’s what really gave it legs. I just kept going from there, doubling down, responding to objections, and staying engaged.

At this stage, I never pitched myself to journalists. I didn’t have a media list or a press kit. I just kept showing up — answering questions, stitching trends, and saying yes to every opportunity that came my way. 

Over time, I realized there was a method to how it all worked. A way to scale visibility without gatekeepers, budgets, or traditional PR.

That’s what I now call the C.L.O.U.T. method. It’s how I turned one TikTok into a movement that landed tens of thousands of media mentions and a real community. And, it’s not just for creators. Anyone can use this approach to build momentum around an idea, a message, or a brand that actually matters. Here’s how it works.
Gabrielle Judge is a content creator, TEDx speaker, and Entrepreneur magazine contributor who coined the viral "lazy girl job" trend and advocates for work-life balance through her platform "Anti Work Girlboss" with hundreds of thousands of followers across her social media platforms.
Who is Gabrielle Judge?

The Clout Method

1. Controversy as a Catalyst

Rule #1 of the internet: If it makes people mad, it makes people talk. 

At the time, there were already a bunch of “lazy girl” trends on TikTok. Lazy Girl dinners. Lazy Girl workouts. Lazy Girl morning routines. Most of them were aesthetic and light. I kept seeing content like that and thought, “We’re all working remote jobs. Let’s talk about that.”

So I said it: Lazy Girl Jobs. 

I knew the phrase would be provocative. If you weren’t familiar with how these trends worked, it could sound like I was calling women lazy. 

But, what I meant was something else entirely. I was talking about jobs that offer more balance. More freedom. A version of work that doesn’t run you into the ground.

It was also a way to split the conversation. I’ve always believed that the fastest path to attention is when some people love what you’re saying and others strongly disagree. That dynamic helps ideas move. And, I knew I could handle the deeper conversations that came out of it.

I saw it happen quickly. Within a few days, The Young Turks covered the post on air. Cent Uygur, the CEO of The Young Turks pointed into the camera and went off on the idea. Then, other outlets followed — Sky News, BBC, Fox, MSNBC. 

Once that wave started, it didn’t stop. And I realized I had tapped into something a lot of people were already feeling — they just needed the words to name it.

Two

Leveraging the Moment

lazy girl jobs on NBC news

Once Lazy Girl Jobs started taking off, I focused on keeping the momentum going. I created content every single day for a year. Not just original videos, but stitches, reactions, and commentary on anything related to work or career culture that was trending that day.

If there was a viral post critiquing hustle culture or remote work, I stitched it. If a bigger creator had something to say about Lazy Girl Jobs, I’d stitch that too. 

It helped me reach their audiences and keep the conversation active. I wasn’t trying to argue with people. I just knew that by showing up consistently, more people would engage and form their own take.

Stitching worked really well because it retargeted people who had already seen the original video. That audience was already interested, so it was easy to bring them into the fold. Some of them became supporters. Others disagreed. Either way, it created discussion, and that kept things moving.

Early on, I also made a point to watch what mainstream media (places like BBC, Bloomberg, and The New York Times) were covering. I’d take their headlines and respond to them in my own videos. 

And since TikTok videos show up in search results, my content would appear when journalists were doing background research. A lot of reporters found me that way and eventually started reaching out.

Today, people send me the stories they want me to cover. But back then, it was a lot of monitoring and staying aware of what was going on. In the interim, consistency was the most important part. 

3. Own the Narrative

From the start, a lot of people misunderstood what Lazy Girl Jobs meant. I expected that. I also knew that if you don’t frame the story, someone else will. 

People online said I was anti-work or anti-ambition. Some assumed I was encouraging women to stop trying or take shortcuts. But that wasn’t the point. I was speaking to people who felt overworked, stuck, or burned out, and who were starting to question whether the way we’ve been taught to approach work actually makes sense.

Even now, I’m still in the process of clarifying what this all means. I don’t want to be out of touch with my audience. Not everyone following me has the same level of flexibility or autonomy. Some people are just trying to make it through the day. So, I meet them where they’re at.

That might mean talking about how to recognize a toxic boss, or what it feels like to be in a work environment that doesn’t value you. I pay close attention to comments and what people are saying in response to my content. That gives me direction. I want to create content that actually helps people navigate what they’re going through.

At the same time, I still share the things I’m doing, like speaking gigs, big moments, and personal wins. That’s part of the story, too. And sometimes, people call it out. They’ll say, “Wait, you’re anti-work but you’re doing all these projects?” That’s when I’ll post carousels or stories that explain my definition of anti-work in more detail. I never assume people know the full picture.

I also bring stats into my videos when I can. Usually right after the hook. It helps ground the message. I’ll pull from .org sources or economic data that backs up what I’m seeing in my audience. That’s especially important when I’m talking about structural issues. I can show that I’m not just making things up or reacting emotionally.

That’s what owning the narrative means to me: making sure people feel seen, but also giving them tools to see things differently.

4. Use Every Platform Differently

One idea, five executions.

I never just copy and paste content. Each platform has its own vibe, pace, and expectations. If you’re posting the same thing across TikTok, LinkedIn, Instagram, and Substack, people can tell. I always try to adapt what I’m saying based on where I’m saying it.

On TikTok, I’ll lead with a personal hook or a hot take that speaks directly to the camera. That same idea might show up on LinkedIn as a carousel post or a one-liner with a stat and commentary. On Instagram, it could be a remix of someone else’s reel or a swipe-through post with quotes. On Substack, I go long-form and bring people into the full context of the message.

One idea can stretch pretty far if you take time to make it platform-native. That’s been a big part of how I’ve stayed visible without needing to constantly invent something new. I’m saying the same thing across platforms. I’m just changing how I say it.

If something works in one place, I pay attention to why. 

I’ve had TikToks cross 5 million views, and that same theme has taken off later on LinkedIn in a totally different format. It’s not about forcing content into every feed. It’s about knowing how your message can travel in the language each platform speaks.

mrs. anti work substack

5. Turn Virality Into Infrastructure

Virality is exciting, but infrastructure is what makes it last.

The moment Lazy Girl Jobs started trending, I made sure I had systems in place to capture attention and turn it into something sustainable. That meant free resources, lead magnets, and most importantly, my Substack Ms. Anti Work.

Any time a video performed well, I repurposed the topic into an email. Substack became the home base, a space where I could go deeper, share context, and keep people engaged beyond the algorithm. It became a space where I could build real relationships with my audience.

wall street journal on lazy girl jobs

Before I started selling anything, I gave a lot away for free. I tried different lead magnets and freebies to figure out what felt useful and what people were willing to exchange their email for. I learned quickly that people are smart. They know when something’s just a PDF to collect data. So anything I offered had to be worth it.

I focused on value. If someone gives me their email, they should get something meaningful in return. That approach helped me build trust over time. Even now, with almost six figures in subscribers, I still think about it that way — not just growing the list, but making it worth staying on.

Later on, I started monetizing. But, I was careful with how I approached it. There’s a lot of pressure to turn attention into sales quickly, but I’ve always wanted to make sure what I’m offering actually helps. If it doesn’t serve the people following me, I don’t move forward with it.

Running your own PR means constantly getting feedback, good and bad. When things get loud, I go back to the mission. Is this helpful? Is this aligned? If the answer is yes, I keep going.

Every interview, every appearance, every feature happened because I kept saying yes and stayed close to what I actually believe. That’s what turned Lazy Girl Jobs from a moment into something more lasting.

Why the C.L.O.U.T. Method Works

I didn’t grow Lazy Girl Jobs with a team of PR professionals or a big budget. I did it by staying close to the conversation, speaking clearly to people’s lived experiences, and showing up every day with intention. 

The C.L.O.U.T. method came from that process. It wasn’t something I planned. It’s what I figured out by doing the work, by testing things, responding to feedback, and learning what made people connect. This framework helped me stay in control of the narrative and build something real off of one idea that hit at the right time.

The outcome? Tens of thousands of media mentions. Six figures in subscribers. A platform built on values. And most importantly, a community of people who feel seen, heard, and validated in how they work.

None of this was accidental. It was built one stitch, one comment, one repurposed post at a time. And, it’s a strategy you can do, too.

Controversial Social Media Hooks

social media hooks
general hot takes
trend hijacking
storytime and personal narratives
commentary on work and culture
community engagement